For Pedro Almodóvar, Luca Guadagnino’s Call Me by Your Name is “the great revelation of the year.” Carla Simón ( Summer 1993) goes for Valeska Grisebach’s Western, while J. Ostros Cines Europa has asked sixty-five directors who usually work in Spanish to write about a film that’s inspired them this year. Lady Bird tops the list at Uproxx compiled by Vince Mancini, Mike Ryan, Amy Nicholson, and Keith Phipps. Dowd, Ignatiy Vishnevetsky, Mike D’Angelo, Jesse Hassenger, Noel Murray, and Katie Rife posted their ballots, they’ve also each written about an “Outlier,” an “Overrated” film, an “Underrated” one, the “Biggest Disappointment, and “Most Pleasant Surprise.” Club have voted up a list of the top twenty films of the year.
#Indiewire best movies 2017 movie
7.Eric Kohn introduces the results of IndieWire’s 2017 Critics Poll: “More than 200 critics and journalists from around the world participated in the eleventh edition of the poll, making it the largest international critics survey of its kind.” Jordan Peele’s Get Out has fared well in several categories here’s the top scorer in each:īest Undistributed Film: Joseph Kahn’s Bodiedīest Director: Paul Thomas Anderson, Phantom Threadīest Actor: Timothée Chalamet, Call Me By Your Nameīest Supporting Actress: Laurie Metcalf, Lady Birdīest Supporting Actor: Willem Dafoe, The Florida Projectīest Documentary: Agnès Varda and JR’s Faces Placesīest Foreign Language Film: Robin Campillo’s BPM (Beats Per Minute)īest Cinematography: Roger Deakins, Blade Runner 2049īest Animated Film: Lee Unkrich and Adrian Molina’s Cocoīest 2018 Movie Already Seen: Lucrecia Martel’s ZamaĪnd for IndieWire’s latest Critics Survey, David Ehrlich asks, “What was the best movie moment of 2017?” Speaking of which, the Guardian’s critics have written about their favorites as well. 18, and Carol landed in the top 10 at no. Moonlight wasn’t the only film with LGBTQ themes to make it on the list of top 100 films from the past decade. Its final image, of young Chiron gazing at the camera from the nighttime beach where his true self will always linger, is nothing short of iconic.”
“The tone reflects the mixture of despair and yearning at the center of our troubled times, but hovers above any precise historic moment.
Kohn notes how Moonlight, which was released a month before the 2016 US election, “nailed the sense of disconnect in American society well before it became supercharged.” It’s an astonishing mood piece about the nature of being marginalized on many levels at once.” Instead, the story’s power comes from the gaps between words-and an ongoing battle to find the right ones. “But much of that arc unfolds through sequences that defy the boundaries of a traditional plot. “The movie explores the plight of a young black man across three eras, searching for his place in the world while struggling with his sexual identity under the burdens of class and a broken family,” continues IndieWire’s Eric Kohn. The website ranked its top 100 films of the 2010s, and Moonlight topped the list for its “sprawling look at romantic desire and the emotional hardships of the African-American experience folds its fixations into a profound creative tapestry.” Moonlight took home the Oscar for Best Picture at the Academy Awards back in 2017, and now Barry Jenkins’ film has been named the best movie of the past decade by IndieWire.
Barry Jenkins’ Moonlight has been named the best movie of the 2010s by IndieWire…
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